Michigan State University Archives and Historical Collections
Irving "Pete" Schandelmeier Papers
UA.17.396
Table of Contents
Summary Information
- Repository
- Michigan State University Archives and Historical Collections
- Creator
- Schandelmeier, Irving, 1913-1996
- Title
- Irving "Pete" Schandelmeier papers
- ID
- UA.17.396
- Date [inclusive]
- 1939-1941
- Extent
- 1.0 Cubic feet
- Language
- English
Preferred Citation
Researchers wishing to cite this collection should include the following information: "Item title, Collection title, Collection Identifier, Michigan State University Archives & Historical Collections, East Lansing, Michigan."
Biographical/Historical
Irving R. “Pete” Schandelmeier was a saxophone and clarinet player with the “Ann Du Pont, Queen of the Clarinet, Orchestra”, and with the Orrin Tucker Dance Band, in the late 1930s and early 1940s. He was a World War II veteran and came to the Lansing area in the post-war period. He continued to perform and also, in the early 1950s, became a real estate agent. He was employed by Michigan State University Information Services as a photographic technician from 1957 until his retirement in 1968. He was born in Wisconsin on February 3, 1913 and died in Lansing, Michigan, on Sunday, September 29, 1996.
Scope and Contents note
The collection consists of one box of dance band music, including 56 pencil arrangements. Some folders include complete scores and/or parts but most are incomplete. Many are stamped with Schandelmeier’s name and most are stamped “Ann Du Pont, Queen of the Clarinet and Her Orchestra”. Published sheet music designated “for professional use” and a smaller collection of published sheet music for commercial purchase is also included. An undated clipping from Metronome magazine mentions Schandelmeier in connection with the Orrin Tucker Band.
Administrative Information
Publication Information
Michigan State University Archives and Historical Collections January 2017
Conrad Hall888 Wilson Road, Room 101
East Lansing , MI, 48824
517-355-2330
archives@msu.edu
Conditions Governing Access
Collection is open for research.
Legal Status
Copyright: Michigan State University except where noted. Property Rights: Michigan State University.
Conditions Governing Use
Permission to publish material from this collection must be obtained from University Archives & Historical Collections, Michigan State University.
Custodial History
Gift to the MSU Fine Arts Library by Elda Keaton. The collection was later transferred to the MSU Archives.
Controlled Access Headings
Corporate Name(s)
- Michigan State University. Employees.
Genre(s)
- Clippings (Books, newspapers, etc.)
- Letters (correspondence)
- Photographs
- Sheet music
Personal Name(s)
- Keaton, Elda
Subject(s)
- Music
- Popular music
Collection Inventory
|
Hand written arrangements |
||||
| Box | Folder | |||
|
Alone Together: band arrangement, parts for 1st and 2nd trombone. Parts stamped “Pete Schandelmeier…Local 302, registered 1941” and “Ann Du Pont…” 1941 |
5725 | 1 | ||
|
Aurora: printed copy of “Brazil’s Number One Song Hit” (Robbins Music, 1940) plus full band arrangement/sketch. Includes cues for Ann Du Pont. 1940 |
5725 | 2 | ||
|
Beautiful Midway: clarinet, alto sax, trumpet, trombone parts 1940? |
5725 | 3 | ||
|
Between the Devil and the Deep Blue Sea. Parts: 1st sax (alto); 3rd alto; tenor sax; 1st trumpet; trombone; drums; piano. 1940? |
5725 | 4 | ||
|
The Big Blow Out: alto sax. “Charted for Goodyear Rubber Co.” Sticker: “Bob Eberhart Charts…East Lansing Michigan.” 1940? |
5725 | 5 | ||
|
Blue Champagne: band arrangement sketch; cues for “Ann”. 1940? |
5725 | 6 | ||
|
Blue Prelude: 3rd alto sax, 2nd trumpet, 1st trombone 1940? |
5725 | 7 | ||
|
Carry Me Back: band arrangement, cues for Ann. 1940? |
5725 | 8 | ||
|
Dancing in the Dark: band arrangement. 1940? |
5725 | 9 | ||
|
De Camptown Races, by Stephen C. Foster. Part marked for Ann; also 1st alto, tenor, 3rd alto [saxophones]; 1st, 2nd trumpet; 1st, 2nd trombone; piano; bass; drums. Score [pencil sketch], stamped Pete Schandelmeier. All parts stamped “Ann du Pont…”. 1940? |
5725 | 10 | ||
|
Do I Worry: band arrangement. 1940? |
5725 | 11 | ||
|
Dolores: printed piano/vocal score; draft of arrangement for Ann du Pont. 1941 |
5725 | 12-13 | ||
|
Down South: Parts: saxes: 1st alto, 2nd tenor; 3rd alto; 4th tenor; 1st and 2nd trumpet; 1st trombone; piano; bass. 1940? |
5725 | 13 | ||
| Box | ||||
|
Easy to Love. Full score of arrangement, with individuals’ names in margin in place of instruments. [oversize] circa 1940 |
5416 | |||
| Box | Folder | |||
|
Gawgia: band arrangement. 1940? |
5725 | 14 | ||
|
G’bye Now: band arrangement sketch; published “singer’s copy”, Broadcast Music Inc. 1940 |
5725 | 15 | ||
|
Golliwogg’s Cake Walk (from “Children’s Corner” Suite by Claude Debussy) Clarinet part for “Ann”; pencil sketch [score]; parts. 1913, 1940 |
5725 | 16 | ||
|
Green Eyes: full band arrangement sketch, cues for “Ann”. 1940? |
5725 | 17 | ||
|
Hep-Tee-Hootie (Juke Box Jive). Printed score; sketch of arrangement. 1940 |
5725 | 18 | ||
|
I Didn’t Know What Time It Was. 4th sax (tenor); 2nd trumpet. 1940? |
5725 | 19 | ||
|
I Guess I’ll Have to Dream the Rest: full band arrangement sketch, cues for “Ann.” 1940? |
5725 | |||
|
I May Be Wrong: sketch of orchestration. 1940? |
5725 | 21 | ||
|
I Understand: band arrangement sketch, for Ann Du Pont. 1940? |
5725 | 22 | ||
|
I’m Gonna Sit Right Down and Write Myself a Letter. 1st sax (alto); alto (Pierce); tenor [sax]; 1st trumpet. 1940? |
5725 | 23 | ||
|
I’m Putting All My Eggs in One Basket: 2nd tenor, 3rd alto [sax], keyboard part labeled “MAC”. 1940? |
5725 | 24 | ||
|
Intermezzo: band arrangement. 1940? |
5725 | 25 | ||
|
Kashmiri. Parts: saxes: 1st alto; 2nd tenor; 3rd alto; 4th tenor; 1st, 2nd and 3rd trumpets; 1st and 2nd trombones; piano. Stamped “Jerre Wyatt…” 1940? |
5725 | 26 | ||
|
Let’s Get Away From It All: full band arrangement sketch plus first trombone part, stamped “Ann Du Pont.” 1940? |
5725 | 27 | ||
|
Love for Sale: instrumental verse and chorus, with texts added 1940? |
5725 | 28 | ||
|
Marcheta: band arrangement. 1940? |
5725 | 29 | ||
|
Maria Elena: band arrangement; cues for “Ann”. 1940? |
5725 | 30 | ||
|
Medley: Moon Song; Just Friends; The Moon is Low; My Song; The Man I Love: half-sheet folder of penciled melody lines with chord symbols. 1940? |
5725 | 31 | ||
|
Medley: Restless; Love Passes By; Song of Spring (parts); Ghost of a Chance, piano chords; untitled sketch. 1940? |
5725 | 32 | ||
|
Medley: She’s Funny That Way; Alone Together (from “Flying Colors”), parts.All have “Pete S.” written in upper right corner. 1940? |
5725 | 33 | ||
|
Name of That Song: 3rd alto sax; sketch of full arrangement on reverse. 1940? |
5725 | 34 | ||
|
Old Black Joe: [Stephen Foster] Ann’s part (clarinet); 1st, 3rd alto sax, tenor sax; 1st, 2nd trumpet; 1st, 2nd trombone; drums; piano; pencil arrangement. 1940? |
5725 | 35 | ||
|
Pavane: printed conductor score of Morton Gould’s “Pavanne”, arranged by Paul Yoder, Mills Music; band arrangement based on Yoder's score. 1938, 1940? |
5725 | 36 | ||
|
Red Moon: printed copy, voice and piano; words by Bissell Palmer, music by Ann Du Pont, Embassy Music Corporation. Includes changes pasted into score. Also band arrangement. 1941 |
5725 | 37 | ||
| Box | ||||
|
Rhumboogie: words and music by Don Raye and Hughie Prince, Leeds Music Corp. Printed piano/vocal score. Pencil arrangement sketch. [Oversize] 1940 |
5416 | |||
| Box | Folder | |||
|
Ring Dem Bells: alto, 1st and 2nd tenor sax, 1st trumpet, trombone. 1940? |
5725 | 38 | ||
|
The Roving Kind: band arrangement 1940? |
5725 | 39 | ||
|
Rum & Coke: clarinet, alto sax, trumpet (half-sheets with chorus words) 1940? |
5725 | 40 | ||
|
‘S Wonderful: band arrangement 1940? |
5725 | 41 | ||
|
Schubert. “Arranged”; 1st, 2nd, 3rd, 4th sax “on clarinet”; 1st, 2nd, 3rd trumpet; 1st, 2nd trombone; piano. Stamped: Jerre Wyatt, …Local 302, registered 1939”. 1940? |
5725 | 42 | ||
|
Shake Down the Stars. 1st tenor sax part, stamped for Ann du Pont; inside, sketch score for “Two Hearts That Pass in the Night”. 1940? |
5725 | 43 | ||
|
She’s Funny That Way: piano part. 1940? |
5725 | 44 | ||
|
Sunday. Piano score; alto [sax]; trumpet; 1st tenor [sax], "John". |
5725 | 45 | ||
|
TDBM: band arrangement 1940? |
5725 | 46 | ||
|
The Things I Love: band arrangement. 1940? |
5725 | 47 | ||
|
Thru’ the Night Waltz. Score [pencil sketch]; parts: piano; 4 saxes on clarinet; 1st, 2nd trumpet; trombone; bass; drums; guitar. 1940? |
5725 | 48 | ||
|
To You; Strange Enchantment; The Lady’s In Love With You; A Home in the Clouds: half-sheet with melody and chord symbols. 1940? |
5725 | 49 | ||
| Box | ||||
|
[Untitled]: band arrangement (sketch) [oversize] circa 1940 |
5416 | |||
|
[Untitled] sketch of full orchestration, chord symbols [oversize] circa 1940 |
5416 | |||
| Box | Folder | |||
|
Walkin by the River: band arrangement, cues for Ann Du Pont. 1940? |
5725 | 50 | ||
|
Whatcha Know Joe: printed piano/vocal score, with cues for Ann and band; sketch arrangement for band. 1940? |
5725 | 51 | ||
|
You and I: band arrangement 1940? |
5725 | 52 | ||
|
You Talk Too Much; printed copy; band arrangement. 1941 |
5725 | 53 | ||
|
You Took Advantage of Me: alto, 1st, 2nd tenor sax parts, piano chords. 1940? |
5725 | 54 | ||
|
You Walk By: band arrangement; printed vocal/piano score 1940 |
5725 | 55 | ||
|
PUBLISHED SHEET MUSIC for PROFESSIONAL USE ONLY: the following pieces are in two folders. Folder 1, A-H. Folder 2, I-Y. Some are stamped for Ann du Pont’s ensemble. All are piano/vocal and marked “professional copy”, “advanced artist copy” or similar designation. List includes: title, responsibility for text and music, publisher, date. |
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| Box | Folder | |||
|
The Angels Came Thru. Lyric by Al Dubin, music by Ernesto Lecuona. Remick Music. 1941 |
5725 | 57 | ||
|
As If You Didn’t Know. Words and music by Sammy Cahn and Saul Chaplin. Mills Music. 1941 |
5725 | 57 | ||
|
Ashes in the Tray. By Eddie Seiler, Benny Benjamin, Sol Marcus. Excelsior Music. [On back of score: hand-written note: “Dear Ann, Please do what you can with this song for me. I hope you remember me. Benny Benjamin. Personal friend of Shippen Hall”.] 1940 |
5725 | 57 | ||
|
Autumn Showers. Lyric by Edwina Coolidge; music by Victor Miller. Broadcast Music Inc. 1940 |
5725 | 57 | ||
|
Beau Night in Hotchkiss Corners, from George White’s “Gay White Way”. Lyric by Herb Magidson, music by Ben Garland. Irving Berlin Inc. 1941 |
5725 | 57 | ||
|
Blue Rain Drops. Words by Edgar Leslie, music by George W. Meyer. Bregman, Vocco and Conn. 1941 |
5725 | 57 | ||
|
Breakfast for Two. Words and music by Joe McKiernan, Art Wilson & Merrill Knighton. Broadcast Music Inc. [2 copies] 1940 |
5725 | 57 | ||
|
Bugle Woogie. Lyric by Floria Vestoff, music by Gordon Andrews. Broadcast Music Inc. 1940 |
5725 | 57 | ||
|
Call It Anything, It’s Love. Words and music by Jack Lawrence. Irving Berlin Inc. [2 copies] 1941 |
5725 | 57 | ||
|
Calling All Hearts. By Hy Zaret, Joan Whitney & Alex Kramer. Broadcast Music Inc. 1940 |
5725 | 57 | ||
|
Caribbean Love Song. Lyric by Ralph Freed, music by Roger Edens. Leo Feist. 1941 |
5725 | 57 | ||
|
Chapel in the Valley. By Leon René, Johnny Lange, Lew Porter. M. Witmark. 1940 |
5725 | 57 | ||
|
The Clock Song. Lyric by Hal Salzman and Larry Wynn; music by Jerry Bresler. Cooper Music. 1941 |
5725 | 57 | ||
|
Corn Silk. Lyric by Irving Kahal, music by Wayne King and Hal Bellis. Bregman, Vocco and Conn. 1940 |
5725 | 57 | ||
|
Don’t Cry, Cherie. First edition. By Lew Brown and Ray Henderson. Shapiro, Bernstein & Co. {2 copies} 1941 |
5725 | 57 | ||
|
Don’t Let Julia Fool Ya. Words and music by Burke Bivens, Jerome Brainin and Allan Roberts. Chappell. Includes publisher’s letter encouraging use of the song. 1941 |
5725 | 57 | ||
|
Down, Down, Down (What a Song!) Words and music by Don Redman. American Academy of Music. 1941 |
5725 | 57 | ||
|
Down Where the Delta Begins. Lyric by Larry Wynn, music by Jerry Bresler. Cooper Music. 1941 |
5725 | 57 | ||
|
Ferry-Boat Serenade. Lyric by Harold Adamson, music by E. Di Lazzaro. Robbins Music. 1940 |
5725 | 57 | ||
|
For Want of a Star, adapted from Ernesto Lecuona’s “La Comparsa”. Lyric by Robert Gamse, music by Ernesto Lecuona. Copyright Ernesto Lecuona; Edward B. Marks; arrangement Edward B. Marks, 1941. 1930, 1932, 1941 |
5725 | 57 | ||
|
Friendly Tavern Polka. Lyric by Jerry Bowne, music by Frank De Vol. Broadcast Music Inc. 1941 |
5725 | 57 | ||
|
Gimme Some Skin, My Friend [from] “In the Navy”. Words and music by Don Raye, Red Mack, Gene de Paul. Leeds Music. 1941 |
5725 | 57 | ||
|
Give Me Your Answer. Words by Alfred J. McCosker, music by Vincenzo de Crescenzo. Mills Music. 1925 |
5725 | 57 | ||
|
The Great American Broadcast (from…”The Great American Broadcast”) Lyric by Mack Gordon, music by Harry Warren. Leo Feist. 1941 |
5725 | 57 | ||
|
Green Eyes. Spanish lyrics by Adolfo Utrera; translation by E. Rivera and E. Woods. Music by Nilo Menendez. Nino Menendez, c.1929; Southern Music. 1931 |
5725 | 57 | ||
|
Heaven on a Postcard. By Robert Sour, Don McCray, Ernest Gold. Broadcast Music Inc. 1941 |
5725 | 57 | ||
|
Here’s My Heart. Words by Norman Weiser, music by Louis Urban. Broadcast Music Inc. {2 copies} 1940 |
5725 | 57 | ||
|
Honey Bunny Boo. Words by Kim Gannon, music by Lee David. Remick Music. 1941 |
5725 | 57 | ||
|
I Can’t Make Up My Mind. Words by Sy Taylor, music by Charles Reade. Sy Talor. 1941 |
5725 | 57 | ||
|
I Can’t Remember to Forget. Lyric by Bill Hampton, music by George W. Duning. Broadcast Music Inc. 1940 |
5725 | 58 | ||
|
I Found a Million Dollar Baby (in a Five- and Ten-Cent Store); featured in…”Million Dollar Baby”. Lyric by Billy Rose and Mort Dixon; music by Harry Warren. Remick Music. 1931 |
5725 | 58 | ||
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I Take To You (from…”The Great American Broadcast”) Lyric by Mack Gordon, music by Harry Warren. Leo Feist. 1941 |
5725 | 58 | ||
|
I Tried. Words and music by Carl Nutter, Paul Hand and Clark Dennis. Embassy Music. 1941 |
5725 | 58 | ||
|
I Went Out of My Way. Words and music by Helen Bliss. Broadcast Music Inc. 1941 |
5725 | 58 | ||
|
I’ll Never Let a Day Pass By [from] “Kiss the Boys Goodbye”. Words by Frank Loesser, music by Victor Schertzinger. Famous Music Corp. {2 copies} 1941 |
5725 | 58 | ||
|
“It’s All in a Lifetime” from … “The Great American Broadcast”. Lyric by Mack Gordon, music by Harry Warren. Leo Feist. 1941 |
5725 | 58 | ||
|
I’ve Got a Bone to Pick With You (from…”The Great American Broadcast”) Lyric by Mack Gordon, music by Harry Warren. Leo Feist. 1941 |
5725 | 58 | ||
|
Jo-Jo, the Hobo. Words and music by Lionel Rand, Tom Johnstone, Ned Brisben. Harry Tenney. 1941 |
5725 | 58 | ||
|
Keep an Eye On Your Heart. Lyric by Milton Leeds, music by Henry Manners. Broadcast Music Inc. 1940 |
5725 | 57 | ||
|
If It’s True. Words and music by Don Redman, Jule Penrose, Gus Bently. American Academy of Music. 1933 |
5725 | 58 | ||
|
Let’s Dream This One Out. Lyric by Ed. F. Lanning, music by Robert Reed. Broadcast Music Inc. 1940 |
5725 | 58 | ||
|
Little Sleepy Head. By Tommy Dennis, Henry Felice. Broadcast Music Inc. 1940 |
5725 | 58 | ||
|
Long Ago Last Night (from…”The Great American Broadcast”) Lyric by Mack Gordon, music by Harry Warren. Leo Feist. 1941 |
5725 | 58 | ||
|
Love Me As I Am [from] “Caught in the Draft”. Words by Frank Loesser, music by Louis Alter. Paramount Music. 1941 |
5725 | 58 | ||
|
Loveliness and Love [from] “Moon Over Miami”. Lyric by Leo Robin, music by Ralph Rainger. Robbins Music. 1941 |
5725 | 58 | ||
|
Magic Mountain. Lyric by Charlie Tobias, music by Sam H. Stept. Irving Berlin Inc. 1940 |
5725 | 58 | ||
|
The Merry Carrousel [sic]. Words by Kim Gannon, music by Frank Weldon. M. Witmark. 1941 |
5725 | 58 | ||
|
Minnie From Trinidad, from…”Ziegfeld Girl”. Words and music by Roger Edens. Leo Feist. 1941 |
5725 | 58 | ||
|
The Night Was Given to You. Words and music by Ashley Miller. Cooper Musc Inc. 1941 |
5725 | 58 | ||
|
Obviously the Gentleman Prefers to Dance. Words and music by Sammy Cahn and Saul Chaplin. Mills Music. 1941 |
5725 | 58 | ||
|
One Day Apart. By Humdinger, Gerry Carr & O. H. Crain. H.J. Ahrens & O.H. Crain. 1941 |
5725 | 58 | ||
|
Rancho Pillow. Words by Charles Newman, music by Allie Wrubel. Shapiro, Bernstein & Co. [2 copies] 1941 |
5725 | 58 | ||
|
The Reluctant Dragon (from…”The Reluctant Dragon”) Lyric by Ed. Penner, T. Hee and Charles Wolcott, music by Charles Wolcott. Broadcast Music Inc. 1941 |
5725 | 58 | ||
|
A Rose and a Prayer. Words and music by Remus Harris, Dan Woodward and Chester Conn. Bregman, Vocco and Conn. 1941 |
5725 | 58 | ||
|
Le Seguiré (I’m so in Love): Canción Bolero. English lyric by Carrick Douglas; Spanish lyric by Camille Cardona; music by George Snowhill. Modern Melodies Publishing. 1941 |
5725 | 58 | ||
|
Sergeant! Can You Spare a Girl? Words by Nelson Shawn, music by Caesar Petrillo, Edward Ross. Peer International Corp. 1941 |
5725 | 58 | ||
|
Shadows In The Night. Words and music by Will Lorin. Broadcast Music Inc. 1940 |
5725 | 58 | ||
|
Talking to the Wind. Lyric by Silvia Dee, music by Robert Schumann. Broadcast Music Inc. 1941 |
5725 | 58 | ||
|
Tattletale. Lyric by jack Lawrence, music by Bob Schaeffer and Irving Rose. Santly-Joy-Select. 1941 |
5725 | 58 | ||
|
There Goes That Song Again. Words and music by Allie Wrubel. ABC Music. 1941 |
5725 | 58 | ||
|
This Is New [from] “Lady in the Dark”. Words by Ira Gershwin, music by Kurt Weill. Chappell. 1941 |
5725 | 58 | ||
|
Throwing Pebbles in the Millstream. Lyric by Jack Ellis, music by Arthur Gershwin. Peer International. 1941 |
5725 | 58 | ||
|
Thumbs Up: official theme song, the British War Relief Society Incorporated. Words and music by Moe Jaffe, Jack O’Brien and Bert Lee. Santly-Joy-Select, Inc. 1941 |
5725 | 58 | ||
|
Twiddlin’ My Thumbs. Words and music by Sammy Cahn and Saul Chaplin. Mills Music. 1941 |
5725 | 58 | ||
|
We Three (My Echo, My Shadow and Me) Words and music by Dick Robertson, Nelson Cogane and Sammy Mysels. Mercer and Morris. 1940 |
5725 | 58 | ||
|
What D’Ya Hear From Your Heart? By Buddy Arnold, Jack Gould & Betty Barton. Broadcast Music Inc. [2 copies] 1941 |
5725 | 58 | ||
|
When You Said “Good-Bye”. By Freddie Large, Harry Glick, Jimmy Lampiasi. Bregman, Vocco and Conn. 1940 |
5725 | 58 | ||
|
Where Has My Little Heart Gone? Words and music by Myer Alexander, Myrtle Reese, Fred Patrick. Claude Reese; assigned to Avalon Music. 1941 |
5725 | 58 | ||
|
Where the Delta Begins. Lyric by Larry Wynn, music by Jerry Bresler. Cooper Music. 1941 |
5725 | 58 | ||
|
Where You Are (from … “The Great American Broadcast”) Lyric by Mack Gordon, music by Harry Warren. Leo Feist. 1941 |
5725 | 58 | ||
|
Why Cry Baby? Lyric by Bill Hampton, music by George Duning. Edward B. Marks. 1941 |
5725 | 58 | ||
|
Why Don’t We Do This More Often. Lyric by Charles Newman, music by Allie Wrubel. Bregman, Vocco and Conn. 1941 |
5725 | 58 | ||
|
The Wise Old Owl. Words and music by Joe Ricardel. Broadcast Music Inc. {2 c.} 1940 |
5725 | 58 | ||
|
You Betcha My Life. Lyric by Jo Dennis, music by Matt Dennís. Embassy Music. 1941 |
5725 | 58 | ||
|
You Mean So Much To Me. By Edgar Battle and Ken Byron. Broadcast Music Inc. 1940 |
5725 | 58 | ||
|
You Started Something. Lyric by Leo Robin, music by Ralph Rainger. Robins Music Corp. 1941 |
5725 | 58 | ||
|
You’re a Lucky Fellow Mr. Smith [from] “Buck Privates”. Words and music by Don Raye, Sonny Burke, Hughie Prince. Leeds Music. 1941 |
5725 | 58 | ||
|
Yours (Quiéreme Mucho) Revised edition. English lyrics by Jack Sherr, music by Gonzalo Rioq, arr. By Rosamond Johnson. Edward B. Marks. 1932, 1937 |
5725 | 58 | ||
|
Published Sheet Music for Commercial Sale. Title, source if known, text, composer, publisher, date. 1921-1941 |
||||
| Box | Folder | |||
|
Alone Together [from] “Flying Colors”. Words and music by Howard Dietz and Arthur Schwartz. Harms Inc. 1932 |
5725 | 59 | ||
|
Bewitched [from] “Pal Joey”. Words by Lorenz Hart, music by Richard Rodgers. Chappell. 1941 |
5725 | 59 | ||
|
Georgia on My Mind. Lyric by Stuart Gorrell, music by Hoagy Carmichael. Southern Music, 1930; copyright assigned to Peer International. 1930, 1941 |
5725 | 59 | ||
|
I Want to Be Happy [from] “No, No, Nanette”. Duet (Nannette and James) Words by Irving Caesar, music by Vincent Youmans; ukulele arr. by May Singhi Breen. Harms, Inc.. 1924 |
5725 | 59 | ||
|
Jenny [from] “Lady in the Dark”. Words by Ira Gershwin, music by Kurt Weill. Chappell. 1941 |
5725 | 59 | ||
|
Melody in F [for piano]. Anton Rubinstein. Century Music. 1920-1930 |
5725 | 59 | ||
|
My Ship [from] “Lady in the Dark”. Words by Ira Gershwin, music by Kurt Weill. Chappell. 1941 |
5725 | 59 | ||
|
Never in a Million Years [from] “Wake Up and Live”. Words and music by Mack Gordon and Harry Revel. Robbins Music. 1937 |
5725 | 59 | ||
|
‘S Wonderful [from] “Funny Face”. Duet (Frankie and Peter) Words by Ira Gershwin, music by George Gershwin. New World Music. [some damage] 1927 |
5725 | 59 | ||
|
Say It With Music [from] “Irving Berlin’s Music Box Revue”. Words and music by Irving Berlin. Arranged by Charles N. Grant. Irving Berlin Inc. 1921 |
5725 | 59 | ||
|
Smoke Dreams, featured in…“After the Thin Man”. Lyric by Arthur Freed, Music by Nacio Herb Brown. Robbins Music. 1936 |
5725 | 59 | ||
|
Starlight Serenade. Words by Sy Taylor, music by Charles Reade. Sy Taylor. 1941 |
5725 | 59 | ||
|
Universal Dance Folio for Piano, No. 11, Edition Extraordinary. Incomplete: contains Remember Waltz. By Irving Berlin. Piano or ukulele. Irving Berlin, Inc. Originally contained 31 pieces. 1925 |
5725 | 59 | ||
|
Universal Dance Folio for Piano, No. 12, Special Edition for 1927. Incomplete: contains Always; How Many Times?; At Peace With the World; I’d Climb the Highest Mountain If I Knew I’d Find You; first page of In the Middle of the Night. Originally contained 31 pieces. Irving Berlin Inc., varying copyright dates. 1927 |
5725 | 59 | ||
|
You Mean So Much to Me. Published arrangement, short score, arranged George N. Terry, for violins, voice (no text). Parts for 1st violin and guitar. Original music by Edgar Battle and Ken Byron. Broadcast Music Inc. 1940 |
5725 | 59 | ||
| Box | Folder | |||
|
Letter from American Academy of Music (Sidney Mills), September 3, 1941, to Mr. John Arnold, c/o Ann Du Pont Orchestra, Henry Grady Hotel, Atlanta, GA. Includes 2 copies of publicity sheet for Mills Music, plus copies of “As If You Didn’t Know” (2 copies, 1941), “Give Me Your Answer” (1 copy, 1925), “If It’s True” (2 copies, 1933). 1941 |
5725 | 60 | ||
|
Stationary (2 sheets), blank, from Hotel Wolverine, Elizabeth and Witherell Sts, Detroit, Michigan. 1930-1941 |
5725 | 60 | ||
|
Clipping from "Metronome" with review of Orrin Tucker Band. Includes mention of "saxist Schandelmeir”[sic]. Undated. 1942? |
5725 | 60 | ||
| Box | ||||
|
Envelopes [oversize] undated |
5416 | |||
| Box | Folder | |||
|
Photograph of Irving "Pete" Schandelmeier (undated) and article, 1972 |
5725 | 61 | ||